Body adornment and tattooing are deeply embedded cultural practices across African societies. Far beyond aesthetics, these practices embody symbolic, social, religious, and existential dimensions. Tattoos serve as expressive tools linked to folk beliefs and are performed within ritual contexts such as initiation, marriage, or societal integration. In these practices, the human body becomes a cultural canvas, inscribed with meanings unique to each society, expressing identity and social belonging.
In many communities like the Mursi, Himba, and Maasai, body decoration plays a role in defining tribal affiliation, social hierarchy, or gender-specific roles. In some contexts, tattoos and scarification function as protective, medicinal, or spiritual devices. These practices serve as a means of preserving cultural identity amidst modernizing forces and globalization. They act as physical archives for collective memory and oral traditions.
This study analyzes African tattooing and body adornment as intangible heritage practices, tracing their evolution in function and form from precolonial times to the present. It highlights how these practices represent identity, belonging, and culture, while employing a symbolic anthropological framework. According to this theoretical approach, cultural symbols (like tattoos) reflect broader systems of social values and relationships.
albabili, I. L. I. (2025). Body adornment and its impact on cultural identity among some African groups. Journal of Art and design, 3(9), 21-43. doi: 10.21608/ifca.2025.403102.1058
MLA
Iman Lotfi Ibrahim albabili. "Body adornment and its impact on cultural identity among some African groups", Journal of Art and design, 3, 9, 2025, 21-43. doi: 10.21608/ifca.2025.403102.1058
HARVARD
albabili, I. L. I. (2025). 'Body adornment and its impact on cultural identity among some African groups', Journal of Art and design, 3(9), pp. 21-43. doi: 10.21608/ifca.2025.403102.1058
VANCOUVER
albabili, I. L. I. Body adornment and its impact on cultural identity among some African groups. Journal of Art and design, 2025; 3(9): 21-43. doi: 10.21608/ifca.2025.403102.1058